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One of the most popular parts of the old Salsa @ Afterhours.ie site was the articles section and I am delighted to re-open the all new articles section on Salsa.ie!

If you have a bit of a flare for writing and you want to share some of your knowledge with the wider salsa community then please feel free to write and post your own articles now. We're looking for articles on Salsa Technique, Congress reviews, Dance History and anything else that might be relevant to the dancers who use this site!

Over the next few weeks we will be trying to move over some of the archived articles that were previously posted so expect to see a lot more content coming soon!

- Edited by Mike on 24/09/2009 at 20:29

Mike posted a new topic on 24/09/2009 @ 20:28

Replies:

By Josie Neglia

Sitting in a restaurant one day, a student asked me to break down my interpretation of what skills are necessary to be the ultimate salsa dancer. I broke it down into six levels.

Level 1

Beginner level. Two people are just learning how to move in unison without stepping on each other and not hurting each other.

Level 2

The man and lady are now dancing in time to the music while doing basic patterns and variations.

Level 3

The man is now dancing more complex variations and patterns. They begin to use the space more interestingly with rotation and changes of direction while maintaining flow.

Level 4

The man stops worrying about his own steps and starts leading the lady with ease and control. This is when his leading skills excel and he understands what the follower needs. It is often the time that the man starts to "show-off" his lady with more elaborate variations.

Level 5

This is when the man and lady start to play with the rhythms. Syncopations, changes, slows, quicks, accents, and stops are all used and then the dancers can find the beat again to continue dancing.

Level 6

The ULTIMATE LEVEL...when it all comes together. This is when the dancers become "the physical instruments" of the music. If a deaf person were to watch them dance, he/she could SEE the music through their movements and interpretation. This is when the man leads his lady to the stops, accents, energy level and mood of every song. Therefore, every song looks different because the dancer is inspired in that moment to feel that piece of music. This is when I personally achieve the "dancer's high", Euphoria, or Ecstasy. When I can feel an accent building in the music, and my partner gives me the opportunity to do a move that punctuates the "break", I get such a feeling of thrill and satisfaction.

- Edited by JoeyRamone on 25/09/2009 at 11:51

JoeyRamone replied on 25/09/2009 @ 11:50

By Nicole DaSilva

A Summary of Progress as it Relates to Learning:

Unconscious Incompetence (Zone 1)

This zone is not so bad, as you are usually completely unaware that you may be doing it wrong anyways. This zone represents the very beginning of learning something new. If you discover that you really like to dance, the next zone will confirm just how great your desire is.

Conscious Incompetence (Zone 2)

Perhaps the absolute worst zone to be in. By this point you've seen enough capable dancers and may be wondering if you will ever be able to dance like the rest of them. This is when you know what you're doing wrong, but just can't do anything about it---YET! Your mind understands the desired result but your body may often refuse to cooperate causing a not so desirable outcome. This is the stage we all pass through before we can begin to master something. Dancers who are at this stage are about to embark on a lesson in perseverance. Hang in there! Your confidence will be restored in zone 3.

Conscious Competence (Zone 3)

This is where it finally starts to come together. You're doing it right and you know it! Still a little shaken from the previous zone, but nothing a little practicing can't fix. This is the intermediate phase of development and perhaps the longest. This is when a new dancer begins to discover that their feet have a mind of their own and that follow/lead is not the name of the team you're on. Your physical response time is quicker and your mind often feels left behind. This is called "muscle memory". This is the time to liberate your body & feet with a less conscious approach. Trust them, they just might surprise you.

Unconscious Competence (Zone 4)

Your efforts and commitment are well worth the results you are realizing about now! You are confident in your ability to learn anything new that comes your way. This is the point that your dancing begins to soar. You have a source to tap into for movement to rhythm. It feels almost unconscious and effortless. By now you know that the entire body dances. The music has become the basis for your choreography. You've developed a stronger repertoire and you hear music differently. You're testing all the rules to see which ones you can break. The advanced dancer can look forward to feeling good, looking good and getting only better! You will find different areas of development that will take you back to zone 1 but this time you're ready and willing to experience the wonderful frustrations that can be a part of learning. From here on the only thing to stop you is your desire.

Don't forget zone 2: Share your experience and ability with others. Remember what it was like when you were just starting? As an experienced dancer you can have a tremendously positive influence over someone who is at the beginning. Be kind, as you can also have a very negative effect. Don't offer your advice or correct your partner on the dance floor unless they ask you. This, as I hear it, really bothers most dancers. Besides, you never know who you are offering (what may be) the wrong advice to. Leave the teaching for teachers and do your best to make your partner feel good and enjoy dancing with you.

JoeyRamone replied on 25/09/2009 @ 11:51

Hey Joey - you can actually post them to the Article section using this link:

http://www.salsa.ie/Articles/PostArticle.aspx

Mike replied on 25/09/2009 @ 12:10